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FilmFUJIFILM / FUJI-FILM135-NEOPAN100ACROSII-ISO-100

NEOPAN 100 ACROS II 35mm

135 / 36 exposures / ISO 100

A medium-speed black-and-white negative film with exceptionally fine grain, strong sharpness, and excellent long-exposure reciprocity.

Unit price¥1,900(税込)
On handSold out
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Product codeFUJI-FILM135-NEOPAN100ACROSII-ISO-100
Film format135
Film ISOISO 100
Film colorB&W
Film typeNegative
Format135 / 36 exp

Overview

NEOPAN 100 ACROS II is Fujifilm's current black-and-white negative film for high-image-quality work. The official page emphasizes world-class grain at ISO 100, three-dimensional tonality, sharpness, broad subject suitability, and very low sensitivity loss during long exposures.

Organized by format, speed, and process.

Bench notes

NEOPAN 100 ACROS II 35mm

NEOPAN 100 ACROS II is Fujifilm's current black-and-white negative film for high-image-quality work. The official page emphasizes world-class grain at ISO 100, three-dimensional tonality, sharpness, broad subject suitability, and very low sensitivity loss during long exposures.

Tone profile

fine-grain monochrome film / long-exposure stability

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Japanese Precision

ACROS II is not simply another ISO 100 black-and-white film — it is arguably the finest-grained, sharpest ISO 100 black-and-white film ever manufactured, and its legendary status among fine-art and long-exposure photographers is entirely earned. The grain is so fine that at normal magnifications it essentially does not exist — what you see is pure tonality, pure detail, and a clarity that challenges the distinction between 35mm and medium format. But the truly extraordinary feature of ACROS II is its reciprocity behavior: exposures up to 120 seconds require zero compensation. Not "minimal compensation," not "approximately one stop" — zero. For long-exposure photographers who are accustomed to consulting reciprocity charts, calculating adjusted exposure times, and bracketing in the dark, ACROS II is nothing short of revolutionary. Set up your composition, meter once, open the shutter, and come back two minutes later. The image will be properly exposed. The tonal curve is modern and clean — slightly more contrasty than traditional-grain films, with a beautiful separation in the midtones that gives long-exposure images a luminous, almost three-dimensional quality. We recommend ACROS II for landscape photographers who work at dawn and dusk, for architectural photographers shooting dim interiors, and for anyone who has ever wanted to explore long-exposure photography without the mathematical headache of reciprocity compensation. It is also, simply, one of the finest black-and-white films available for any application. The fact that it exists at all — brought back from discontinuation by popular demand — tells you everything you need to know about how much photographers love this film.

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