EKTACOLOR PRO 160 120

The medium format version of EKTACOLOR PRO 160 takes everything that makes the 35mm version a studio staple and gives it room to breathe. On a 6×6 or 6×7 negative, the already-invisible grain becomes a non-issue, and the neutral color palette reveals tonal subtleties that smaller formats simply cannot capture — the exact shade of a fabric, the texture of a skin highlight, the gradation from light to shadow across a cheekbone. Fashion and beauty photographers shooting medium format gravitate toward this film because it does not impose a personality of its own; it records what is in front of the lens with the kind of transparent fidelity that lets the lighting, the styling, and the subject speak without interference. The larger negative also means you can crop aggressively for layout without worrying about grain or sharpness falling apart. For portrait photographers who love medium format but find PORTRA just slightly too warm, EKTACOLOR PRO 160 in 120 offers a compelling alternative with a distinctly modern, clean aesthetic. It also scans beautifully on both CCD and CMOS-based systems, giving you enormous latitude for digital post-production.