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FilmHARMAN / HARM-FILM135-PHOENIXII200-ISO-200

HARMAN Phoenix II 200 35mm

135 / 36 exposures / ISO 200

A second-generation ISO 200 C-41 color negative film with visible character, controlled contrast, and vivid color response.

Unit price¥2,780(税込)
On handSold out
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Product codeHARM-FILM135-PHOENIXII200-ISO-200
Film format135
Film ISOISO 200
Film colorColor
Film typeNegative
Format135 / 36 exp

Overview

HARMAN Phoenix II 200 35mm is a character color negative film for daylight, travel, snapshots, and experimental everyday shooting. Compared with conventional neutral stocks, it is chosen when color response, contrast, halation-like edge behavior, and a less clinical look are part of the appeal while still keeping standard C-41 lab compatibility.

Organized by format, speed, and process.

Bench notes

HARMAN Phoenix II 200 35mm

HARMAN Phoenix II 200 35mm is a character color negative film for daylight, travel, snapshots, and experimental everyday shooting. Compared with conventional neutral stocks, it is chosen when color response, contrast, halation-like edge behavior, and a less clinical look are part of the appeal while still keeping standard C-41 lab compatibility.

Tone profile

experimental color negative / vivid controlled character

Customer Rating

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Owner Recommendation

Made in Britain

HARMAN Phoenix II 200 is a genuinely historic film — a brand-new color negative emulsion developed and manufactured from scratch in the United Kingdom, by a company better known for its legendary black-and-white papers and the ILFORD film brand. In an era when color film manufacturing has consolidated to a handful of giants in Japan and the United States, the existence of a new, independent color emulsion from a British factory is nothing short of remarkable. The film itself has a warm, slightly eccentric color palette that leans into golden and earthy tones — it does not try to replicate the look of Kodak or Fujifilm, and that is precisely its charm. The grain is moderate and organic, the contrast is pleasingly vintage-leaning, and the overall character is of a film that knows what it wants to be and does not apologize for it. The Phoenix name is apt: this is a film rising from the ashes of a global industry contraction, and shooting it feels like participating in something larger than photography — it is a vote for manufacturing diversity, for independent production, for the idea that film should be made by more than two or three companies in the world. We recommend Phoenix II 200 for photographers who want to support the future of film manufacturing, for anyone curious about a genuinely new color palette, and for those who understand that the continued health of the film ecosystem depends on diversity of supply. Shoot it in good light, embrace its idiosyncrasies, and know that every roll you buy helps keep the fires burning in the factory that made it.

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