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FilmKODAK / KODA-FILM135-EKTAPANP3200-ISO-3200

EKTAPAN P3200 35mm

135 / 36 exposures / ISO 3200

A push-oriented high-speed black-and-white film made for ISO 3200-class work and darker scenes.

Unit price¥1,900(税込)
On handSold out
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Product codeKODA-FILM135-EKTAPANP3200-ISO-3200
Film format135
Film ISOISO 3200
Film colorB&W
Film typeNegative
Format135 / 36 exp

Overview

EKTAPAN P3200 is Kodak's fastest still black-and-white stock in the current lineup. Kodak positions it around push processing, fast action, night scenes, no-flash low-light work, and handheld shooting that needs both shutter speed and depth of field.

Organized by format, speed, and process.

Bench notes

EKTAPAN P3200 35mm

EKTAPAN P3200 is Kodak's fastest still black-and-white stock in the current lineup. Kodak positions it around push processing, fast action, night scenes, no-flash low-light work, and handheld shooting that needs both shutter speed and depth of field.

Tone profile

push-oriented monochrome film / low-light speed

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Owner Recommendation

After Dark

EKTAPAN P3200 is a film for the hours when most cameras have already gone to bed. At a nominal ISO of 3200 — pushable considerably higher — it opens up photographic possibilities that slower films cannot touch: handheld street photography under streetlights, live music in dimly lit venues, night landscapes lit only by moonlight, and interior scenes captured with nothing but available window light after sunset. The grain is substantial — this is an ultra-high-speed film and it does not apologize for its grain — but it has a beautiful, almost pointillist quality that becomes part of the image's aesthetic rather than a flaw to be tolerated. The tonal curve is designed to hold shadow detail even in extreme low-light conditions, and midtones render with a luminosity that gives night images a distinctive, almost cinematic atmosphere. We recommend metering at EI 1600-3200 depending on your tolerance for shadow detail and developing accordingly — the film is remarkably flexible and rewards experimentation. This is not an everyday film, but for the specific situations it was designed for — the jazz club, the night market, the candlelit dinner, the empty street at 2 AM — there is simply no substitute. Every photographer should shoot at least a few rolls of ultra-high-speed black-and-white, because it teaches you to see light you did not know was there.

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